40 college students and old carpenters want to innovate mahogany furniture design

Yesterday morning, 40 college students majoring in furniture design from Beijing Institute of Clothing Technology came to a mahogany furniture factory to learn carpentry techniques from the old carpenters here.

Adze, ink fountain, planer ... the carpenter's tools that almost the old people have forgotten are back in the hands of young people. In the workshop of the furniture factory, under the guidance of the master carpenter, the students carefully performed each process. "It's too complicated, it's not the same as just seeing the finished mahogany furniture!" A college student at the scene said that the structure of the mortise and tenon introduced by the master carpenter is like dragon and mortise tenon, overlord tenon, shoulder tenon, and horse tenon ... Ten kinds, let alone carving, inlaying, and finishing, "This is fundamentally different from our visit to the plate furniture factory. The mahogany furniture is simply making crafts!" And some college students learned that the value of the carved sandalwood was more than 800,000 At a ton of yuan, even under the urging of the master, he was so sweaty that he did not dare to put a carving knife on the wood with a little force, for fear of accidentally "destruction".

The students said that they came to "apprentice" old carpenters, mainly not to learn technology, but to understand the characteristics of tenon-and-mortise structure furniture, so as to broaden their thinking in the future study and design modern solid wood furniture.

In this regard, Wang Chang, a mahogany expert, said that as an intangible cultural heritage of mahogany furniture, compared to modern furniture that is constantly innovating, many mahogany companies are still at the stage of "imitation" and "copying". Compared with "hot", the design of mahogany furniture is a bit deserted. "For a long time, if you can't innovate, the inheritance of mahogany furniture culture is a problem."

Many students said that they are also very interested in traditional furniture craftsmanship, but there are few opportunities to understand their crafts, let alone design. "We will come to the furniture factory to learn more in the future, and strive to be able to design several pieces of furniture that are different from traditional shapes."

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